Brilliant, lightfast white with highest opacity and strongest lightening power.

Brilliant, lightfast white with highest opacity and strongest lightening power.

wetting agent

wetting agent

Cold, pure, lightfast traditional zinc white with good white lightening power; slightly cold bluish nuance. Due to transparency the best mixing white.

Cold, pure, lightfast traditional zinc white with good white lightening power; slightly cold bluish nuance. Due to transparency the best mixing white.

Semi-opaque light yellow.

Semi-opaque light yellow.

Semi-opaque, cold light yellow for soft colour layers.

Semi-opaque, cold light yellow for soft colour layers.

Highly opaque, slightly greenish, cool yellow. Heavy metal free alternative to cadmium yellow lemon. Creates brilliant mixtures.

Highly opaque, slightly greenish, cool yellow. Heavy metal free alternative to cadmium yellow lemon. Creates brilliant mixtures.

Pure yellow based on a modern, organic pigment.

Pure yellow based on a modern, organic pigment.

Slightly transparent pure yellow or lemon yellow, when applied in thin layers. In stronger layers tendency to ochre.

Slightly transparent pure yellow or lemon yellow, when applied in thin layers. In stronger layers tendency to ochre.

Highly transparent lemon yellow. Alternative to the original toxic chromium yellow lemon.

Highly transparent lemon yellow. Alternative to the original toxic chromium yellow lemon.

Highly transparent light yellow. Mixture of two modern, organic pigments. Alternative to the original toxic chromium yellow.

Highly transparent light yellow. Mixture of two modern, organic pigments. Alternative to the original toxic chromium yellow.

Reddish yellow. Alternative to the original used toxic chromium yellow deep. Tendency to orange.

Reddish yellow. Alternative to the original used toxic chromium yellow deep. Tendency to orange.

Alternative to the original toxic chromium orange by using a lightfast, organic pigment.

Alternative to the original toxic chromium orange by using a lightfast, organic pigment.

Greenish yellow. Heavy metal-free alternative to cadmium yellow lemon. Basic yellow with good painting- and mixing properties. Creates brilliant mixtures with phthalogreen.

Greenish yellow. Heavy metal-free alternative to cadmium yellow lemon. Basic yellow with good painting- and mixing properties. Creates brilliant mixtures with phthalogreen.

Brilliant yellow with modern, organic pigment. Heavy metal-free alternative to cadmium yellow. In thick layers semi-opaque, in thin layers transparent. Good lightfastness and mixing properties.

Brilliant yellow with modern, organic pigment. Heavy metal-free alternative to cadmium yellow. In thick layers semi-opaque, in thin layers transparent. Good lightfastness and mixing properties.

Intense brownish gold. Very good mixing properties. Perfect for warm green shades. Imitation of Pigment PO 49 which is no longer available.

Intense brownish gold. Very good mixing properties. Perfect for warm green shades. Imitation of Pigment PO 49 which is no longer available.

Brilliant orange-red with an organic, lightfast pigment. Mixed with ultramarine finest soft, neutral greys are achieved. The intensive reddish character is ideal for mixtures of very light reds.

Brilliant orange-red with an organic, lightfast pigment. Mixed with ultramarine finest soft, neutral greys are achieved. The intensive reddish character is ideal for mixtures of very light reds.

Light, semi-opaque orange-yellow.

Light, semi-opaque orange-yellow.

Modern replacement of former animal metabolism product from India, which was prohibited long ago. Classic, very transparent, mix of two pigments.

Modern replacement of former animal metabolism product from India, which was prohibited long ago. Classic, very transparent, mix of two pigments.

Traditional colour from anorganic pigments. Often used for portrait_x000D_ and nude painting.

Traditional colour from anorganic pigments. Often used for portrait_x000D_ and nude painting.

Brilliant, transparent and light orange.

Brilliant, transparent and light orange.

Traditional colour. Cool lemon-cadmium-pigment. Alkali-resistant. Especially for mixing yellow-greens and greens.

Traditional colour. Cool lemon-cadmium-pigment. Alkali-resistant. Especially for mixing yellow-greens and greens.

Strong, brilliant yellow with opacifying character. In the Colour Theory often used as primary yellow (Y).

Strong, brilliant yellow with opacifying character. In the Colour Theory often used as primary yellow (Y).

Highly brilliant, strong yellow with opacifying character.

Highly brilliant, strong yellow with opacifying character.

Brilliant cadmium yellow with opacifying character.

Brilliant cadmium yellow with opacifying character.

Strong and brilliant with good mixing properties.

Strong and brilliant with good mixing properties.

Brilliant, strong orange. Opacifying character. Good mixing properties.

Brilliant, strong orange. Opacifying character. Good mixing properties.

Imitation of the originally toxic lead pigment with anorganic pigments. _x000D_The white contents creates opacifying character.

Imitation of the originally toxic lead pigment with anorganic pigments. _x000D_The white contents creates opacifying character.

Traditional colour, opacity effected by white content. Mixed from 4 pigments, _x000D_to achieve the traditional reddish-yellow. Recommended for portrait and nude painting.

Traditional colour, opacity effected by white content. Mixed from 4 pigments, _x000D_to achieve the traditional reddish-yellow. Recommended for portrait and nude painting.

Very intense, semi-transparent and warm red. Darker and more yellowish than vermilion light.

Very intense, semi-transparent and warm red. Darker and more yellowish than vermilion light.

Lightest and most yellowish transparent red. More reddish than transparent orange.

Lightest and most yellowish transparent red. More reddish than transparent orange.

Transparent red. Less yellowish than vermilion light.

Transparent red. Less yellowish than vermilion light.

Warmer deep red with higher lightfastness, replaces dark red (14 345).

Warmer deep red with higher lightfastness, replaces dark red (14 345).

Dark, cold red. More light and bluish than dark red.

Dark, cold red. More light and bluish than dark red.

Expanding range of cadmium reds. Medium red with opacifying character.

Expanding range of cadmium reds. Medium red with opacifying character.

Brilliant colour with opacifying character. To be used as lightest red.

Brilliant colour with opacifying character. To be used as lightest red.

Warm, brilliant red.

Warm, brilliant red.

Deep red with slight brownish tendency. Opacifying character.

Deep red with slight brownish tendency. Opacifying character.

Transparent, bluish red. Modern, lightfast, organic pigment. Different colour layers have strong influence on the character from red to deep red.

Transparent, bluish red. Modern, lightfast, organic pigment. Different colour layers have strong influence on the character from red to deep red.

Primary colour magenta (M) in Colour Theory.

Primary colour magenta (M) in Colour Theory.

Originally obtained from real Cochenille-louses. Modern pigment allows today lightfast alternative.

Originally obtained from real Cochenille-louses. Modern pigment allows today lightfast alternative.

Cool, saturated deep red with good transparency. Alternative to madder lake deep (14 358) with better lightfastness.

Cool, saturated deep red with good transparency. Alternative to madder lake deep (14 358) with better lightfastness.

Warmest, transparent dark red.

Warmest, transparent dark red.

Traditional colour. Soft pink mixed from two pigments. The manganesian lake pigment creates bluish reds. Light resistance of stronger layers is rather good.

Traditional colour. Soft pink mixed from two pigments. The manganesian lake pigment creates bluish reds. Light resistance of stronger layers is rather good.

Cool, saturated deep red, good transparency. Originally an alumina pigment lake of alizarine, the main dyestuff of the former important madder plant. Synthetic production of alizarin since 1870.

Cool, saturated deep red, good transparency. Originally an alumina pigment lake of alizarine, the main dyestuff of the former important madder plant. Synthetic production of alizarin since 1870.

The lightfastness of the traditional alizarin-hue has been improved by anthrachinone pigments. The colour is deeper now.

The lightfastness of the traditional alizarin-hue has been improved by anthrachinone pigments. The colour is deeper now.

Cadmium-free, semi-transparent orange.

Cadmium-free, semi-transparent orange.

Cadmium-free alternative to cadmium red orange (14 348) with lightfast organic pigments.

Cadmium-free alternative to cadmium red orange (14 348) with lightfast organic pigments.

Cadmium-free alternative to cadmium red.

Cadmium-free alternative to cadmium red.

Intense dark red similar to alizarin but warmer. Transparent.

Intense dark red similar to alizarin but warmer. Transparent.

Modern alternative for the traditional dyestuff crimson or Cochenille with good lightfastness and opacifying character.

Modern alternative for the traditional dyestuff crimson or Cochenille with good lightfastness and opacifying character.

Metal-free alternative to the traditional vermilion. Organic pigment with good lightfastness and opacifying character.

Metal-free alternative to the traditional vermilion. Organic pigment with good lightfastness and opacifying character.

Cadmium-free alternative to cadmium red deep (14 350). Lightfast, organic pigment with high tinting strength.

Cadmium-free alternative to cadmium red deep (14 350). Lightfast, organic pigment with high tinting strength.

Original dyestuff replaced by organic quinacridone pigment. _x000D_Bluish alternative to primary colour magenta (14 352).

Original dyestuff replaced by organic quinacridone pigment. _x000D_Bluish alternative to primary colour magenta (14 352).

Red-violet produced from one organic pigment.

Red-violet produced from one organic pigment.